Short fiction

What He Said

Reading Clarkesworld Magazine’s round-robin interview with short fiction editors, I was very struck by something Patrick Nielsen Hayden said, which dovetails with my own feelings (bold emphasis mine):

I think the biggest change in SF’s overall readership is that it’s become much less dominated by hardcore SF buffs whose reading consists largely of SF. Compared to a generation ago, a lot more of our readers are just plain middlebrow readers—people who read a little SF along with a little of a lot of other things, and who don’t necessarily regard the SF as alien to the rest of literature, or below the salt, or any of that stuff.

[Today’s readers] are probably not connected to the SF social scene, they don’t assess their SF and fantasy reading against a huge backdrop of inside-baseball industry lore, they may not have read all of the classics, but they’re pretty good at making sense of fairly sophisticated SF storytelling because, guess what, in 2009, hundreds of millions of people are good at making sense of sophisticated SF storytelling. The problem for SF writers and publishers today isn’t that there’s not a mass audience for high-end SF storytelling; it’s that there are immense numbers of other diversions on offer for those hundreds of millions of people.

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Free Online Reading: James Enge’s "A Book of Silences"

April will see the release of James Enge’s swords & sorcery novel, Blood of Ambrose,an epic work featuring Morlock Ambrosius, wandering swordsman and master of all magical makers. The book is a stand-alone adventure, but Morlock returns in the (already-delivered) follow-up, This Crooked Way, and we’ve just signed for a third Morlock novel, the wonderfully-titled The Wolf Age. But Morlock Ambrosius already has a significant following, as Enge has been chronicling his adventures in short fiction for some time prior to his novel debut. One such tale,”A Book of Silences,” first appeared in the pages of Black Gate magazine. We are pleased to reprint it in its entirety at the Pyr Sample Chapters page. What’s more, we will shortly be presenting “Fire and Sleet,” which follows directly on the events of “A Book of Silences” and is an original novelette that will debut at the Pyr website for the first time anywhere. So, read and enjoy!

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Short short stories

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Over at Boing-Boing they’ve just called wraps on their ‘Undying love in ?150 characters’ competition (the challenge was to write a love poem in no more than 150 characters: “this is a contest where speed and cleverness beat diligence … remember that spaces and punctuation count”). The results are definitely worth checking out, particularly with Valentine’s Day just around the corner.

Reading it put me in mind of conversations I have had with publishers and editors about the increasing plumpness of certain sort of contemporary Fantasy and SF. It is, I suppose, easy to get caught in a feedback loop whereby readers’ preferences for Fantasy novels in 1000 (or 3000) page chunks and the desire of publishers (and writers) to give readers what they want reinforce one another, and before long the shelves are stocked with books of baleinic proportions. Publishers I’ve spoken to take the view that a book should be as long as its story needs, and that most stories don’t actually need 1000 pages. Certainly, one of my favourite Pyr titles from last year, Theodore Judson’s Martian General’s Daughter, generates an epic heft without butting its head on the 300 page ceiling. Some great novels are very long, of course; but the danger is that great length becomes a kind of end in itself, or even a fetish.

Ernest Hemingway once claimed, famously, that the best story he wrote was only six words long: “For sale: baby shoes, never worn.” A few years ago The Guardian ran a feature in which a bunch of contemporary writers wrote their own six-words stories. In the spirit of putting my money where my mouth is, and with a view to bringing some original fiction to Pyr-o-mania, I post, below, six six-word SF-y stories of my own. I invite you to add your own six-word stories in comments. And if we get 10,000 of them, I promise to endeavour to persuade Lou to publish them all in a short-short-short fiction anthology.

Your eyes are lovely. With wasabi.

‘The sky’s falling!’ ‘Don’t be stu—’

One of these words is poisoned.

A headless man? How last-century!

The one law of robotics. Kill!

The French for six is cease.

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