Last Argument of Kings

A Host of Pyr Reviews & a Podcast!

Okay, playing mad catch-up:

A podcast with Joe Abercrombie on the Dragon Page. Their description: “This week, Mike, Summer and Mike talk with Joe Abercrombie about Last Argument of Kings,the third book in The First Law Trilogy. We talk about the characters and the more contemporary feel of their speech, the more intimate nature of relationships and intrigues, and about how the buzz about these stories surround the writing style of the battle scenes.”

Meanwhile, Patrick Rothfus, he of The Name of the Wind,raves about Joe Abercrombie (and Brandon Sanderson) on his blog: “The books are good, really good. They pulled me in. Well-developed world. Unique, compelling characters. I like them so much that when I got to the end of the second book and found out the third book wasn’t going to be out in the US for another three months. I experienced a fit of rage, then a fit of depression, then I ate some lunch and had a bit of a lay down… I will also say this. This isn’t some cookie-cutter fantasy. It’s refreshingly realistic, but also very gritty and dark. It might even be fair to call it grim. You have been warned.” Of course, I should point out, the books are all three available in the US now…

Discover Magazine on Fast Forward 2: “It’s a great collection, with a good mix of stories ranging from hard science fiction to near magic realism. Stand outs for me included ‘True Names,’ a novella by Doctorow and Benjamin Rosenbaum set in a post-post-post-human universe, and ‘An Eligible Boy,’ written by Ian McDonald, that takes place in the mid-21st century India that McDonald has used as the backdrop for his 2004 book River of Gods.” Our friend and frequent commentator Rene also has a nice review on her blog, Little Bits of Everything: “This is a fantastic anthology that I look forward to rereading. I sincerely hope that Fast Forward becomes an annual anthology; the first two volumes are incredibly strong.”

Over at Adventures in Reading, Joe Sherry reviews Mike Resnick’s Starship: Mercenary. I was struck by a particular comparison he made – “This may be an odd comparison given the length and success of Mike Resnick’s career, but Starship: Mercenary is a fun military science fiction novel that fans of John Scalzi’s work will want to jump right into. There is a certain comparison and similarity in style.” This struck me because I read the manuscript for Mercenary within a month of The Last Colony and thought the same thing.

Also a positive review of Stalking the Vampire at Monsters & Critics: “…features offbeat humor, amusing dialog and a zany cast of characters that is sure to entertain the most jaded sci-fi fan and spark plenty of interest in an emerging series.”

And here Intercontinental Ballistic Discourse discusses a host of Mike Resnick works, including the extant Starship series: “I’ve got to say: wow! The characters are engaging, the story is fast and entertaining, and the plots are believable. My favorite form of science fiction is loosly described as military science fiction, or sci-fi that takes place around a starcraft or some form of governmental space navy and this series started off that way and branched out to something even more.”

Whew!

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Joe Abercrombie Speaks (again)!

Joe Abercrombie is interviewed by Andrew Brooks on SFRevu,
wherein he says many things about the just-released Last Argument of Kings, and the trilogy it completes, including:

I read a lot of history, and my observation has been that failures, mistakes, and idiocy are frequently much more important in the course of events than successes. I hadn’t seen that much failure and stupidity in fantasy so I was keen to redress the balance. I wanted my characters grimy, flawed, and difficult, as I have observed real people generally to be, so it made sense that my mismatched group of champions should mostly despise each other throughout. A couple learn grudging respect for one member of the team or another, but in the main they hate each other just as much at the end as they did to begin with.

John Berlyne also reviews the book for the site, and says, “The First Law is, I strongly believe, a seminal work of modern fantasy. It is a benchmark sequence that should be regarded as an example of all that is truly great in today’s genre fiction. It stands way above the vast majority of the marketplace, tainted as so many fantasy works are with the lofty and portentous myth cycles bequeathed to us by Tolkien. Instead, Abercombie’s work reflects today’s harsher world within its pages. This is fantasy come of age, a tale for a modern generation, a story for the selfish — for a harder, more self-aware audience, for people who live in today’s litigious, cynical, unforgiving society. You know who you are! Very highly recommended.”

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Readers Will Mourn

Publishers Weekly just weighed in on Joe Abercrombie’s forthcoming Last Argument of Kings:

“The sword & sorcery trilogy that began with The Blade Itself (2007) and Before They Are Hanged (2008) comes to a violent, sardonic and brilliant conclusion. … All these people are believable, especially as they dabble in grimly convincing magic and struggle to hear their consciences through the roar of carnage and betrayal. Abercrombie is a fresh new talent, presenting a dark view of life with wit and zest, and readers will mourn the end of this vivid story arc.”

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Joe Shoots His Mouth Off

A great interview with Joe Abercrombie over on SF UK Book News. Even though it deals with the conclusion of The First Law trilogy, there’s no spoilers for us US folks. My favorite bit:

UKSFBN: Throughout The First Law you’ve taken great and deliberate delight in subtly subverting established fantasy conventions. Given that you freely confessed, last time you talked to us, to doing this on purpose, will you also admit to having increased the satire levels in the final volume, or has the trope-bashing been kept to a minimum this time around?

Joe Abercrombie: “The trope-bashing is certainly still going, more than ever in a way, since the trilogy is a single story and it perhaps diverges further and further from what the reader expects as we draw near to the end. Epic fantasy is a genre full of clichés, so you can’t really write in it without reacting to them yourself in some way – whether you embrace them, consciously reject them, or try to twist them to your own evil purposes.

“But, you know, for all the attempts to do something surprising and rework the formula and all that, I hope that what I’ve delivered first and foremost is a cracking fantasy tale. I’m aiming more for Unforgiven than for Blazing Saddles, if you like. A re-examination of the classic form, perhaps, a self-aware comment on it, perhaps, but also a solid example of the form. I’m not taking myself too seriously (despite appearances), but I’m not taking the piss either.

“Not too much, anyway.”

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