Ivory

In with the New Year, Out with the Old

A few more end of the year round ups showing up.

John of SFSignal posts his 2007: A Year in Review – John’s Take. He lists his personal favorite reads from the year – not necessarily all books published in 2007, but all books he read, liked, and rated a 4.5/5 or higher. Two Pyr books make the list: Martin Sketchley’s The Liberty Gunand Mike Resnick’s Ivory: A Legend of Past and Future.

Meanwhile, over at Futurismic, Tomas Martin takes A New Year’s Look at 2007’s Science Fiction. Listing his Top Five Books of 2007, we’re pleased to see Joel Shepherd tying with himself in fifth place for Breakawayand Killswitch, Ian McDonald coming in at number three for Brasyl,and (thank you) a “special mention” for my own Fast Forward 1: Future Fiction from the Cutting Edge.

Meanwhile, the interestingly titled The Breathing Corpse blog lists The Years Best Reads – Science Fiction. Mike Resnick’s Starship: Pirateand New Dreams for Oldboth make the list with the comments that, “I read a bunch of Mike Resnick this year but these are the best. Starship: Mercenaryis out now and I’ll be reading it soon. Resnick is now one of my favorite writers.” Meanwhile, their 2008’s Books I Can’t Wait to Read includes several Resnick titles as well, including the forthcoming Stalking the Vampire: A Fable of Tonight.

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Resnick’s Ivory is Solid Speculation

Ryun Patterson takes a look at Mike Resnick’s classic Ivory: A Legend of Past and Future,a tale set 6,000 years in the future and which traces the path across the galaxy of the very real and enormous tusks of the legendary Kilimanjaro elephant. In his review on Bookgasm, Ryun states that Resnick writes about Africa “as if he grasps some of the subtleties of the hugely diverse and multifaceted continent. Ivory, which was first published in 1988, demonstrates this, along withResnick’s flair for solid speculation.”

Ryun also takes the time to praise the cover, which always makes me really glad to see, as art and prose are closely linked in our genre, and I applaud those reviewers who take the artwork into account. In this instance, the cover illustration is by Bob Eggleton, and the layout is by our own Grace M. Conti-Zilsberger. Bob turned in what may be my favorite piece he’s ever done, while the bronze band solution Grace came up with for displaying the author’s name has a classical feel that I’m considering adopting for future reissues as well. As Ryun says, “It’s also got the best cover it has ever had and a great, solid feel – which many classic reissues deserve but don’t receive – thanks to Pyr.” Very glad someone noticed!

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Ivory: A Lament for the Disintegration of Distinctive Cultures

Lee Clarke Zumpe praises Mike Resnick’s Ivory: A Legend of Past and Futurein the Tampa Bay Newspapers Online Edition. Lee begins by proclaiming that “The name Mike Resnick may not be as familiar as, say, Arthur C. Clarke, Robert Silverberg, Ursula K. Le Guin or Harlan Ellison, but it should be,” and then goes on to justify this claim.

Lee goes on to talk about the stories-within-the-story, and then nails what I personally love about the book by saying, “ While the individual accounts of the warlord, the thief, the curator and the others who play a role in the history of the tusks display the appealing escapism of classic science fiction, the novel has an overriding melancholy about it that underscores the tragedy of post-colonialism and vanishing heritage. Resnick’s subtle theme of conservationism encompasses not only the flora and fauna of this planet, but the distinctive cultures of its varied ethnic groups – particularly those of Africa.”

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A Storytelling Machine

John DeNardo posts his SFSignal Review of Mike Resnick’s Ivory: A Legend of Past and Future.He gives it a full five stars and says, “These are the kinds of well-told stories that make reading such a pleasure… Masterful storytelling; realistic characters; wonderful dialogue.” He calls Mike “a storytelling machine” and Ivory “a thoroughly engaging read.” John compares it to Mike’s Kirinyaga,a book which is among my Top Ten favorite SF Novels of All Time, and I think that’s a good comparison. I felt when I first read Ivory that it made a good companion read with that work, and they certainly look good together on my shelf.

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Ivory: Gamblers, Warlords, and Elephants, Oh My!

The Library Journal has just given Mike Resnick’s Ivory: A Legend of Past and Futurea starred review. They say the novel, about a search across time and space for the tusks of the legendary Kilimanjaro elephant, “plays to his greatest strengths–as a raconteur without peer, capable of weaving together a series of linked stories into a seamless whole, and as a compassionate and thoughtful observer of the human condition. Peopled with gamblers, warlords, artists, and politicians and overseen by the shadow of the enormous creature who once ruled the grasslands of Africa… highly recommended for all sf collections.”

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For Your Viewing Pleasure: Ivory

For your viewing pleasure, the cover of Mike Resnick’s Ivory: A Legend of Past and Future, due from Pyr in August of next year. Arwork is by the marvelous Bob Eggleton – our first time working with him and hopefully a sign of many good things to come. Cover design is by our own Grace Zilsberger, her second Pyr cover after Keeping It Real.

Another of Mike’s famous “Africa tales,” Ivory is the story of Duncan Rojas, senior researcher for Braxton’s Records of Big Game, and the mysterious Bukoba Mandaka, last of the Maasai, who hires him to track down the legendary tusks of the Kilimanjaro Elephant. Mike’s Kirinyaga tales, in their collected book edition, form one of my top ten favorite science fiction works of all time. In fact, I have given away or recommended Kirinyaga several times as a perfect “entry level” science fiction novel for the uninitiated since I originally read it back in 1998. But I hadn’t read Ivory until Mike suggested it to me as a possible reprint for Pyr. When I did – it swiftly blew me away, and now ranks as one of my all time favorite Resnick stories. The novel intertwines three narratives – the tale of the ivory tusk’s journey as they change hands through space and time, the story of the narrator as he becomes increasingly suspicious of his strange employer, and the story of the last days of the Kilimanjaro Elephant itself. The work is powerful enough that – believe it or not – I find myself on the verge of tearing up when I describe it here. Sorry, it’s just that I know how the book ends. But you all will just have to wait. Still, one look at that Eggleton cover, and I bet you think the wait is worth it, no?

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