Fast Forward 1

A Mass of D’Ammassa

On his website Critical Mass, author and former Science Fiction Chronicle reviewer Don D’Ammassa reviews Alexis Glynn Latner’s debut novel, Hurricane Moon, which will be coming out in just a few weeks.

“I’ve been reading short stories by Latner for about ten years now, almost all of them in Analog, and have found her to be a reliable source of interesting and accessible stories of hard science fiction. At long last we have a chance to read her at novel length, and it was worth the wait, although I hope we don’t have to wait as long for her next. It’s an old fashioned space adventure, but with more contemporary sensibilities and healthy doses of intelligent and not too abstruse science… Extremely well written, tightly plotted, full of that old fashioned sense of wonder about the universe. I hope to see much more from this author in the future.”

Meanwhile, I’ve found a host of Pyr reviews that I mostly missed in his 2006 archive. Don says that the reviews “were written for Science Fiction Chronicle, but most were never used.” So let’s look at some of them here!

Fast Forward 1, edited by Yours Truly:

“Lou Anders has put together a collection of twenty original stories, designed to be the first in an ongoing series along the lines of Terry Carr’s Universe series or Damon Knight’s Orbit collections, although the emphasis appears to be on hard SF. There are stories by some of the best known writers in that sub-genre – Stephen Baxter, Larry Niven, Ken Macleod – as well as representatives of the more literary end of the spectrum – Gene Wolfe, Paul Di Filippo, Pamela Sargent. Non-theme anthologies are almost always more readable than specialized ones and this is no exception, very high quality throughout and enough variation to reward almost any reader’s taste.”

Sagramanda (A Novel of Near-Future India) by Alan Dean Foster:

Near future India is the setting for this surprisingly low key novel, surprising because there are a lot of violent things happening in it. The central plot is the theft by a scientist of a revolutionary new, but undescribed, discovery which he is trying to sell to a competitor… Nicely understated, and a depressing and unfortunately not entirely inaccurate portrayal of the future of much of the urban world, and not just India.”

Starship: Pirate by Mike Resnick:

“Resnick combines space opera, a touch of military, more than a touch of humor, and his usual talent for creating larger than life characters in this new series. Consistently good fun from beginning to end.”

Mappa Mundi by Justina Robson:

“This one might well have been packaged as a contemporary thriller rather than SF, and it’s a good one regardless of your mind set while you’re reading it.”

Infoquake by David Louis Edelman:

“A debut novel and the first in a trilogy, set in a future when multi-national corporations have become virtual governments… Lots of interesting speculation and a plausible and interesting plot. I found the prose a bit awkward from time to time but not so much that it significantly interfered with my enjoyment of the story.”

Paragaea: A Planetary Romance by Chris Roberson:

“The cover blurbs compare this to Edgar Rice Burroughs and Leigh Brackett, and with some justification…. a bit difficult to take seriously at times, but if you just let go and enjoy the ride, Roberson conducts a pretty rousing tour of his universe.”

New Dreams for Old by Mike Resnick:

“I am so used to thinking of Mike Resnick as primarily a novelist that it came as a surprise to read through the table of contents of this new collection and discover how many of them I remembered. And how many of them have appeared on Hugo and Nebula ballots. Although a few have been previously collected, most appear in book form for the first time… Some are funny, some are dead serious. All are nifty. This is a big, representative, and above all very satisfying selection of his short fiction.”

Resolution: Book III of the Nulapeiron Sequence by John Meaney:

“The final volume of the Nulapeiron trilogy concludes this sequence set in a future so remote and different that it is sometimes difficult to identify with the characters and situations. Technology and mental powers have advanced to the point where they are indistinguishable from magic….You’ll have to suspend your disbelief pretty radically for this one, but if you can get yourself into the story, you’ll have a wild and exciting ride ahead of you.”

The Destiny Mask by Martin Sketchley:

“Pyr Books has been reprinting quite a few British and Australian novels which had not previously appeared in the US, including this, the second in a series. The setting is an interstellar empire and the plot is one familiar to readers even outside the genre, the rivalry between two twins, separated as babies and ignorant of each other’s existence, who become pivotal players in a battle between rebels and a repressive interplanetary dictatorship. I liked this one considerably better than its predecessor, The Affinity Trap. The characters are more realistic and the plot tighter and more involving.”

The Liberty Gun
by Martin Sketchley

“I had a mixed reaction to the first two novels in the Structure series, but the third is a much more satisfying space adventure that mixes time travel, aliens, military SF, and general intrigue. …the situation is considerably more complicated than any of the characters realize. It takes a while to get into the story, but once you’re there, you won’t want out.”

Genetopia by Keith Brooke:

“Pyr has reprinted several British SF novels that have not previously been available in the US, including this one from 1999. Brooke should have been discovered earlier because he has definite talent… Many of the things Flint encounters are fascinating ideas, but after a while it becomes just a parade of wonders and readers may find themselves impatient to get to the destination.”

Note: Genetopia is an original novel, first published by Pyr. Don is apparently confusing it with a previously published short story of the same name. Meanwhile, with this profusion of Pyr reviews, Don has put my own personal archive of our books’ reviews over the 500 mark. And while I’m sure I have missed some somewhere, I’m happy to report that out of some 503 reviews I’ve tracked since we launched – appearing everywhere from tiny websites I’d never previously heard of to huge venues like the Washington Post and Entertainment Weekly – I’ve only logged 27 negative ones! Which is nice.

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The Future of Short-Form Science Fiction

Ryun Patterson has just posted his thoughts on my own Fast Forward 1: Future Fiction from the Cutting Edge over on Bookgasm:

“…so good that I suggest Pyr wait a year and republish it with the title BEST SCIENCE FICTION OF 2007. This is an important book that can move science fiction one step closer to the “literature” shelf, if it so desires…Anders has coaxed such incredible goodness out of these writers that if you only read one or two stories a month, it’s better than a year’s subscription to most of the genre magazines out there…With a deep bench of talent and a perfectly paced setlist, Lou Anders has made made a book that truly represents its own theme. Fast Forward has the potential to be the future of short-form science fiction.”

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Fast Forward BookLetters Review Gets My Goat

I just learned about a service BookPage provides called BookLetters, which syndicates online reviews for local libraries websites. BookLetters has given a stunning endorsement to Fast Forward 1: Future Fiction from the Cutting Edge, listing it as a “notable” book, in a great review by Paul “Goat” Allen. Paul says:

The 21 stories included in Fast Forward 1 are truly visionary science fiction, harkening back to the days of Asimov, Clarke and Heinlein.Of the 21 ‘future fiction’ stories featured — which also include works from Stephen Baxter, Ken MacLeod, George Zebrowski, Gene Wolfe and John Meaney — all are noteworthy in their own right, a rare feat for any anthology. Diverse, entertaining and thought-provoking, this collection offers a wildly imaginative view of what the future might hold. Editor Anders has it right when he writes in his introduction: ‘Who knew enlightenment could be so much fun?'”

You can see the review “in action” here at the New York Public Library, the Las Vegas-Clark County Library District website, and the Atlanta-Fulton Public Library system.

Meanwhile, after the bad pun in the title of this blog, I hope I can be forgiven for the immodesty in quoting this bit:

In the last decade or so, many of the leading publishers of science fiction and fantasy have taken a decidedly safe philosophy regarding new releases. The popularity of Laurell K. Hamilton’s Anita Blake vampire saga, for example, has spawned dozens if not hundreds of derivative and uninspired series. Unrestrained creativity and visionary speculation, it seems, isn’t as integral to science fiction and fantasy as mainstream marketability. Wrong. One person who has almost single-handedly reignited and redirected the course of the genre is Pyr Editorial Director Lou Anders.”

Which is immensely gratifying to hear, whether or not it’s true.

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A Bold New Series

John DeNardo posts his review of Fast Forward 1: Future Fiction from the Cutting Edge on SF Signal. John says that fifteen of the nineteen stories in the anthology are “good or better,” calling the book a “good sampling of the literary range sf has to offer” and adding that Fast Forward is “a good example of why I love reading short fiction.”

John rates each story in the book individually (with some minor spoilers), and says that “It helps that Anders has assembled some of the field’s brightest stars, mostly veterans, and some newer voices, too. Having a cool John Picacio cover to get passersby to notice that is also a great help. The collection of visions depicted here is indisputable proof that science fiction is the literature of ideas.”

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Brasyl Nuts and Shoofly Pie

William Lexner really loved Brasyl.

“Last June I reviewed Ian McDonald’s most recent book, River of Gods, and I called it ‘The most important SF novel that has been released in my 18 years of fandom.’ So it may be a bit surprising when I say that the forthcoming Brasyl is just as strong, a bit tighter, a lot faster paced, and all-around probably a better, more enjoyable novel…. Brasyl is almost guaranteed a Hugo nomination.”

Lexner’s “rapturous review” finds itself lampooned on the hysterical My Elves are Different.

Meanwhile, Another Piece of Shooflypie really enjoys Fast Forward 1: Future Fiction from the Cutting Edge:

“My fourth book of the year was the original SF anthology Fast Forward 1, edited by Lou Anders. Anders is the editor of the Pyr line, which has quickly become one of the best SF publishers around (River of Gods and Infoquake and Paragaea, to name a few). This book is also from Pyr and does not disappoint. There are 19 stories and 2 poems (both by Robyn Hitchcock, former lead singer of The Soft Boys and current solo artist) underneath yet another brilliant John Picacio cover (and I really need to buy that book on his work). There was only one story I didn’t care for, which is a fantastic ratio for any anthology. The highlights include Paul Di Filippo’s “Wikiworld,” where a guy in love with an oyster pirate ends up running the government for a few days in a future where Wiki is the basis of all interactions from political to economical to social; Ken MacLeod’s “Jesus Christ, Reanimator,” a look at how things might go if Christ actual did return to today’s world; and John Meaney’s “Sideways From Now,” about quantum linking and alternate realities and politics and loss (and I must start reading his novels). Almost all of the rest of the stories are at that high quality and I can’t recommend it enough. The best part is the “1” in the title…I can’t wait to read the second in the series and I hope that one day I’ll actually have a story in Fast Forward as well.”

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Crowing About Pyr

Tomas L. Martin has posted two reviews in the recent edition of SF Crowsnest.

Of Justina Robson’s brilliant near-future thriller, Mappa Mundi,Tomas has this to say:

Mappa Mundi is an excellent second novel, with great characterisation and an intriguing plot idea. It’s certainly worth reading and Justina Robson is an extremely promising writer but I felt this book strayed a bit too far in its extrapolation to function as a great thriller. As it is, it’s simply a good book.”

Not arguing with a good review – just feel compelled to add that I love the “straying.” For me, the book starts off like any Michael Crichton thriller, but goes in the opposite direction. So much of his work – as well as the Hollywood treatment of SFnal tropes – is about putting genies back in the bottle, while we science fiction types know that that is rarely possible…

Meanwhile, Tomas’s thoughts on my own Fast Forward 1: Future Fiction from the Cutting Edgeare equally appreciated:

“There are some excellent stories here. In his introduction, Anders mentions that he aspires to produce a similar collection to that of Damon Knight’s prestigious Orbit series that was so influential in its twenty-one volumes. This is heady competition to put onto a new publication but happily it isn’t too difficult to see Fast Forward becoming a similarly established name in original SF anthology history…. Fast Forward 1 has more than enough original and exciting new stories to make it important reading and worthy of more than a couple more editions to follow. Lou Anders has done a good job with this first volume and I hope he continues producing original anthologies if they are as good as this one.”

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Is it a Wiki World Yet?

William L. Hosch, the Britannica mathematics and computer sciences editor, uses Paul Di Filippo’s “Wikiworld,” one of the stories in Fast Forward 1: Future Fiction from the Cutting Edge, as a springboard for thoughts on Wikipedia, posted on Britannica Blog:

“So is Wikipedia on its way to becoming Isaac Asimov’s Encyclopedia Galactica (or for younger readers, Douglas Adam’s Hitchhiker’s Guide to the Galaxy) or will it be abandoned as Web 3.0 arrives? (Frankly, a shared conundrum for all general reference works, including Encyclopaedia Britannica, is how to evolve in the coming world of Web 3.0 interactivity.) Maybe reading is obsolete and experts are old-fashioned and elitist. Then again, maybe we haven’t quite reached the world of Kurt Vonnegut’s Harrison Bergeron. At least that’s what I take from reading Larry Sanger, the ex-cofounder of Wikipedia, who has begun extolling the virtues of expert opinion over popular consensus.”

Interesting discussion follows.

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3 Pyr Books @ SFRevu

SFRevu has chimed in on three recent and upcoming Pyr novels.

First, my own Fast Forward 1: Future Fiction from the Cutting Edge is given a glowing review from Colleen Cahill, who says that, “this collection has a bit of something for everyone. Anders has gathered a truly outstanding set of science fiction, all with images and worlds that are new, different and exciting. It is safe to say that Fast Forward 1, hopefully the first in several such books, is a worthy successor to the Knight and Pohl series and a book every science fiction fan will want in their collection.”

Next up, Todd Baker has some great things to say about Adam Robert’s out-any-day now hard SF of near-future war in space, Gradisil. Praising the “intricacies of the plot, the richness of character development, and the intriguing scientific extrapolation,” Baker comments that “it is not surprising that it has been shortlisted for the 2007 Arthur C. Clarke award for best new novel.” Also of interest to me personally is Baker’s singling out of this quote from the book, with its accusations about our very modern life:

You know for how much money the EU government sold the latest mobile netlink rights? Bandwidths were going for a billion euros, minimum. . . . Think of the gross! So you tell me–is that the best way of spending humanity’s money, webbing friends, playing games on the bus? A fraction of a single percent of that money, we could have bases on Mars in five years. Destiny–possibility–glorious, but no, we’ll keep frittering our money on games, on cosmetics, on flim-flam, and we’ll turn around in five hundred years and still be right here where we are now.

Finally, Ernest Lilley, who admits to not liking the book as much as he wanted to, still makes Keeping It Real (Quantum Gravity, Book 1) sound pretty darn good in his introduction:Lila Black used to be a pretty girl, but that was before she had her arms and legs ripped off by an elvish interrogator and delivered back to her human world intel agency more dead than alive. So, in the best tradition of these things, they rebuit her with cyborg battle ready parts and a Mr. Fusion heart. Unfortunately for her they either took away too much or left too much intact, depending on your point of view, because her emotions are all still quite intact, just jumbled up in a ball of revenge, remorse and oh yes…love. Now back in the field to protect an elvish rock star she’s got to come to terms with who she is before she can save her charge, and of course, the world as we know it. Well, maybe not quite as we know it…”

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FF1 on AICN – Most Cool

Ain’t It Cool News has recently launched a book review section, where reviewer Adam Balm plans to “take fandom back to its root” by acting as a pointer to good SF. In his second review, he tackles Fast Forward 1: Future Fiction from the Cutting Edge, which I’m most happy to say he likes. Adam proclaims that “Pyr’s going to be an interesting bird to watch, coming out of nowhere in the last year to fast becoming one of the big names in the industry, no small feat in a field made up of big publishers getting even bigger, as the market is getting smaller,” and goes on to say of FF1 that “probably half the stories here would be fitting entries in a ‘Year’s Best’ anthology.” He calls out stories by Paolo Bacigalupi, Stephen Baxter, Ken MacLeod, Justina Robson, John Meaney, with a special place for Paul Di Filippo’s “Wikiworld” (online here), of which he says, “Without a doubt, THE stand-out story (as has been mentioned at Boing Boing and other reviews) is Paul Di Filippo’s ‘Wikiworld…. Honestly I haven’t had this kind of vertigo after reading a short since Charle’s Stross’s ‘Lobsters’ in 2001, the first entry of what would become his Accelerando magnum opus. I really want to see Di Filippo explore this world he’s created some more. This is too good for just one short.”

In addition to FF1, Adam reviews The Antagonist by Gordon R. Dickson and David W. Wixon, and presents an introductory essay on his reasons for taking up the reviewer’s role along with his opinions on the current state of science fiction. (He sees SF as being at a bit of a crossroads, a fractured field competing with fantasy and slipstream.) Furthermore, Adam finds parallels between my introduction and one John W. Campbell’s wrote for his own 1952 Astounding Science Fiction Anthology which I now need to hunt up.

All in all, I was impressed with the review and hope that AICN keeps Adam Balm long employed, as shortening the gap between media SF and literary SF is a personal crusade of mine. Meanwhile, I love that he describes FF1 as “a kind of time capsule of where hard science fiction is, in the first decade of the second millennium,” though the line that really made me laugh was his description of Justina Robson as “she reminds me of a hard SF Neil Gaiman if Neil Gaiman was even more of a woman. ” Add this to Cheryl Morgan’s comment some time ago that Robson was “William Gibson with chocolate” and you can see just how special Robson is. Finally, on the question of SF’s relevance in 2007, I agree with Adam that “while the world might change, that tool for making sense of that change does not change.”

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Green Goodness

Cat Eldridge has a few thoughts about Fast Forward 1: Future Fiction from the Cutting Edge over on The Green Man Review:

“So what’s good here? A story by Kage Baker (‘Plotters and Shooters’) is set in her Company universe but which is not a Company story, but a space opera in the form of a look at war in space above and beyond. Or how about a witty look at the future of wikis? ‘Wikiworld’ by Paul Di Filippo takes the ideas of Cory Doctorow one step further by showing what would happen in a society run on gifts, wikis, fast and lose consensus, and running code. The Something-Dreaming Game’ by Elizabeth Bear is a gem of a great story as is Gene Wolfe’s ‘The Hour of the Sheep’. Most everything is superb here… Overall I think Anders has done an exemplary job of putting together first rate anthology.”

Nor is her comment that Pyr is “certainly one of the hottest new genre publishers we’ve seen over the past few decades” unappreciated.

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