Breakaway

Prometheus Books Enters the Mass Market Paperback Format With Series on Pyr Imprint

FOR IMMEDIATE RELEASE

CONTACT: Jill Maxick
800-853-7545
jmaxick@prometheusbooks.com

November 10, 2008

Prometheus Books Enters the Mass Market Paperback Format With Series on Pyr Imprint

Three-book Science Fiction Series Planned in “Premium” Mass Market Size

Amherst, New York—In May 2009, Pyr, a science fiction and fantasy imprint of Prometheus Books, will publish Crossover: A Cassandra Kresnov Novel in the premium mass market paperback format, with dimensions of 4-1/8 inches x 7-3/8 inches and priced at $9.98. Premium mass market paperbacks are taller than the traditional premium mass market size, allowing for improved readability and cover image area. Crossover, by Australian author Joel Shepherd, was previously published in trade paperback in August 2006.

The Cassandra Kresnov novels Breakaway and Killswitch will follow at the same price and format, to be published in June and July 2009 respectively.

“We’ve had significant interest from the major booksellers in seeing Pyr enter the mass market format, and a great deal of interest in this trilogy in particular,” says Pyr Editorial Director Lou Anders. “Joel’s series is smart, sexy, action-packed, and features a very well-rounded and admirable female lead. We’ve been very happy with their performance thus far in trade paperback, and feel they are especially suited to lead our charge into mass market, a perfect example of the type of smart, action-packed and engaging read that Pyr is becoming known for. I’m thrilled that Cassandra Kresnov is poised to entertain even more readers with her mass market debut.”

Cassandra Kresnov is a highly advanced hunter-killer android who defected from her League Dark Star special ops assignment, seeking the quiet life of a civilian, but then becomes unwillingly embroiled in dangerous interplanetary intrigue. Shepherd is known for his strong female protagonists, his gripping action sequences, and his rich depiction of Byzantine political machinations. Tobias S. Buckell, author of Halo: The Cole Protocol, called the series, “A blast to read,” while Publishers Weekly described it as “Robert Ludlum meets Elizabeth Moon.”

Plans for making some Pyr titles available in e-book format are also in the works.

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Bookgasm’s 5 Best Sci-Fi Books of 2007

Bookgasm has just announced their 5 Best Sci-Fi Books of 2007. Ryun Patterson has chosen Ian McDonald’s Brasylas the # 1 title of the year. He says:

“Holy wow. Once I started reading Brasyl, I knew I would never see the world quite the same way again… Brasyl shows that Pyr has serious chops in acquiring new material in addition to picking up previously published gems. Read the review if you want more, but my first recommendation is this: Close your browser, put your computer to sleep, go to the bookstore, buy Brasyl, take off the dust jacket without reading it, and clear your calendar. You’re in for a treat. Along with McDonald’s River of Gods,it is easily one of the best books of the last 10 years.”

Meanwhile, Joel Shepherd’s two 2007 Cassandra Kresnov novels, Breakawayand Killswitch,tie for # 5.

“There’s not a lot about these books that I haven’t already said in my pair of breathless reviews, and while one probably would have made the list on its own merits, having two of these tomes in the span of a year really takes the cake. Pyr books has been knocking down doors in both publishing original fiction and bringing foreign work to North America, and Shepherd’s Cassandra Kresnov series demonstrates the second half of this equation wonderfully. Why weren’t these books brought over sooner? How many other authors and ideas are just waiting to get picked up, gussied up with holy-cow-amazing cover art by the likes of Stephan Martiniere, and unleashed upon the unsuspecting North American public? More, I hope.”

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Killswitch: A Kinetic Thrill-Ride

Ryun Patterson of Bookgasm reviews Joel Shepherd’s latest, Killswitch,third in his Cassandra Kresnov series. Ryun has been a big supporter of the previous two books, so it’s good to hear that Killswitch is, in his opinion, “another remarkable effort that remains true to its predecessors and shows Shepherd’s evolution as a writer. His strengths are on full display: Action is electric and infused with the rough-edged reality of warfare, the characters are multifaceted and introspective, and the sexy quotient is once again high. Kresnov as a character has matured in a delicious way, staying hot and ultra-bad-ass while keeping the self-examining, self-reliant emotional core that makes her such an appealing heroine…”

I’m also always very gratified to see when cover art makes it into a discussion of a book, as our genre has a unique history of illustration that deserves much more attention than it historically gets. In this case, Ryun says, “So many times when you get books with covers as great as Stephan Martiniere’s, the contents are a letdown, but the kinetic thrill-ride of the Pyr covers really captures the essence of what’s great about this series.”

Update: Calico Reaction reviews Killswitch, as well as previous book Breakaway. Her overall impression: “Overall, this has been a pretty enjoyable trilogy. It’s ambitious and intellectual, action-packed but yet intimate. Shepherd’s greatest strength are characters you can really emphasize with and the amazing level of his diverse, culturally relevant world-building. Also enjoyable is the fact he really does have some strong, heroic women leads, and multiple leads at that, which is really awesome.”

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Breakaway: Up a Few Notches

Rob H. Bedford posts his review of Joel Shepherd’s second Cassandra Kresnov novel, Breakaway,on SFFWorld today. “Joel Shepherd’s electric heroine, Cassandra ‘Sandy’ Kresnov, continues her thrill-ride of a life in the author’s second novel, Breakaway. Shepherd picks up her story shortly after the events of Crossover,and the story doesn’t miss a beat. If anything the beat gets turned up a few notches.”

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Action Epics Depend on Character

Kay Kenyon is interviewed on the website Infinity Plus about her new novel, Bright of the Sky, the first book in The Entire and the Rose quartet. In the interview, conducted by Karen D. Fishler, Kay talks about the challenges of writing big epic fiction, as well as the connective tissue that holds it all together:

“Reviewers have been calling the world-building in this book things like ‘unique,’ and ‘groundbreaking.’ I’m glad it’s making an impact, but the story’s heart is really Titus Quinn and his odyssey to reclaim his family. Family is a complicated thing for Quinn. His is shaped not only by love and loyalty but betrayal and transience. So the internal through line is whether he finds love and whether, amid the large scale forces, it still matters. The external one is which world will dominate and at what cost.”

Infinity Plus has also put up a text extract from the novel, online here.

Meanwhile, Pat’s Fantasy Hotlist celebrates their 100th review with a stellar report on Joel Shepherd’s Breakaway: A Cassandra Kresnov Novel. As Patrick says:

“As was the case with its predecessor, Breakaway is a character-driven book. Shepherd deserves kudos for the manner with which he continues to portray her [Cassandra’s] moral awakening. The supporting cast is also a lot stronger in this sequel, promising a lot of things to come in the last volume of the trilogy. At times a political thriller and at times an action-packed scifi yarn, Breakaway makes for a very satisfying read…. The Pyr logo continues to be associated with quality reads.”

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Breakaway: Sci-Fi at its Best

Monsters and Critics reviewer Sandy Amazeen weighs in on Joel Shepherd’s Breakaway: A Cassandra Kresnov Novel, which she praises for it’s “seat-of-the-pants climax” and of which she says:

“Full of political intrigue, personal revelations and rapid-fire action, this is sci-fi at its best. The plot is complex, yet it is the personal issues that rise to the forefront and force readers to examine what makes one truly human.”

This is a good time to mention, too, that we’ve put up some sample pages of Breakaway online here. Check ’em out!

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Love for 2 Ass-Kicking Ladies

Lila Black is a cyborg. She’s got human bits, but she’s more metal than flesh, and she’s packed with weapons and gadgets that pop out of every conceivable square inch of her body when she goes into combat mode. Cassandra Kresnov is a synthetic person, with super strength and heightened reflexes. She doesn’t have any hidden weaponry, though she can interface directly with computer nets, an ability she shares with Lila. Think of Cassandra as a female Terminator, with Lila as a bit more like RoboCop. Naturally, I can’t help but wonder who would win in a fight? Cassandra doesn’t have Lila’s on board weapon systems, but she seems a good deal more self-adjusted/self-assured than Lila. But then Lila, despite her emotional anxieties, is nuclear powered. Somewhere in the multiverse, these two ladies must have met, and if Marvel comics has taught us anything, it’s that when world’s collide, super folk always throw down. Still, I suspect after the tussle, Lila and Sandy would actually get along quite well.

Meanwhile, back here on Earth Prime, both of these ass-kicking augmented women continue to amass the love.

Tomas L Martin, of SFCrowsnest, returns to Cassandra Kresnov’s world with his review of Joel Shepherd’s Breakaway, in which he says:

“It is this extremely nuanced political spectrum that truly brings ‘Breakaway’ to life. That and the explosions. The superb set pieces featuring SWAT teams against extremists are matched in excitement by the battles on the floors of government. The debates between Callay’s representatives are as exciting as the running gun battles in its streets… The brilliance of ‘Breakaway’ in making these politicians seem just as real as those in the real world adds a huge depth of interest to this book… an extremely well rounded novel. Recommended.”

And on Blog, Jvstin Style, we read of Justina Robson’s work: “I really enjoyed Keeping It Real. The book is unabashedly the first in a series, the book ends with lots of dangling questions to be answered. Hyping and turbocharging Earth into the 21st century, with high tech to counter and contrast against the sorceries of the other realms provides new life for the ‘Elves meet modern humans’ genre. Here, we do get an Elf riding a motorcycle, but we have a special agent with a nuclear reactor to help give her an edge, as well as a lot of other toys. There is a decent leavening of sex and eroticism, but not to the point where it overwhelms the narrative as it seems to do in a certain writer’s oeuvre…there is a lot of potential here, to explore these new worlds and the interactions between these interesting characters. Not just Zal and Lila, but other characters in the band, and others we meet throughout the course of the novel, from elf necromancers to a demoness singer to a dragon that reminded me of the elemental entities of Exalted. Robson knows that the characters that inhabit her worlds have to hold up as well as the world itself, and she does this ably.”

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Breakaway: Bookgasm Finds a Lot to Love

Over at the Bookgasm website, Ryun Patterson reviews Joel Shepherd’s just-released Breakaway, where he calls it, ” a step up from its already good predecessor.” This is high praise when you consider that the prior book, Crossover, was listed in Bookgasm’s 5 Best SF&F Books of 2006. So, a step up from best of the year? We’ll take that! Just as we like to hear this bit, which calls out what I feel is so great about Joel’s Cassandra Kresnov series:

“Ever-mindful that books with leaping cyber-chicks on the cover are expected to have leaping cyber-chicks within, Shepherd kicks the action up a notch from Crossover, providing more than enough lethal grooviness to satisfy action junkies. This series is not just popcorn, though; amid the shooting and kicking is a really interesting story about trust and friendship and the aftermath of betrayal… The non-action bits just might be good enough that Shepherd could have left out the hot synthetic hunter-killer operatives altogether and set the series on a rural Nova Scotia sheep farm, but would I have read it? Probably not. So buy Breakaway for the hot action, but read it for the characters.”

Oh, and the subtle Blazing Saddles reference made me laugh, though as another tale of a law enforcement officer who meets prejudice and ignorance with uber-competence and good humor, it’s an apropos comparison.

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Breakaway

Cynthia Ward reviews Joel Shepherds’ Breakaway: A Cassandra Kresnov Novel for SciFi.com’s Sci Fi Weekly, where she gives the book a C+. Despite the low grade, there are some very enthusiastic quotes, such as:

“Shepherd continues to develop his ambitious future with considerable sociocultural and political astuteness. More than occasionally, readers will find themselves reminded uncomfortably of current events, as when Shepherd’s protagonist states, ‘I like that the public can change their mind. It means politicians have to be flexible, and take all public mood-swings into account. Nothing’s more dangerous than a narrow-focused leadership with a closed mind.’ Shepherd’s universe is developed in enormous depth, and Breakaway delivers all the world-building details that SF fans expect—and many, many more.”

And this:

“Shepherd’s protagonist, the smart yet naive Cassandra Kresnov, is a sympathetic character, and an intriguing new addition to SF’s self-aware android tradition, which includes Clifford Simak’s Time and Again, Philip K. Dick’s Do Androids Dream of Electric Sheep?, Blade Runner, Robert A. Heinlein‘s Friday and the anime series Ghost in the Shell.”

Cynthia takes issues with aspects of the novel, from the complexity of its politics (a plus in my mind), to the supra-human nature of its action, to “the heterosexual Sandy’s friendship with the bisexual Vanessa,” seeing male projections onto these female characters. I won’t take issue here. I appreciate the review, which has me itching to reread the book, so maybe it will have that effect on others too!

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A Review Round-Up

Don D’Ammassa posts several Pyr reviews on his Science Fiction Reviews site:

Of Ian McDonald’s Brasyl, he says, “The real focus of the novel is the setting, which McDonald illustrates in three different eras, pulling them all together through the device of quantum physics and the malleability of reality. His prose is, as always, a joy to read. This is a major novel from a major talent.”

Less enthused with Kay Kenyon’s Bright of the Sky, he at least offers that “There are parts of this very ambitious novel – particularly the evocation of an alternate human culture – which I liked very much…”

And he’s quite taken with Joel Shepherd’s Breakaway, proclaiming it, “a well constructed planetary adventure story with plausible political maneuvering.”

As an aside: I’m also pleased to see his review of Saturn Returns, a space opera forthcoming from Ace from our friend (and author) Sean Williams, which concludes, “This appears to be the first in a promising new series from one of the few writers still producing consistently excellent space opera,” which echoes my own sentiments that everyone should be reading Sean Williams.

Meanwhile, over on another blog, Neth Space considers Justina Robson’s Keeping It Real, beginning by saying that “referring to Keeping It Real as genre-bending is not good enough – this book is multidisciplinary,” struggles with the balance of SF to F, and finally deciding that the novel “succeeds as a techno-punk romp through fantasy and science fiction…” that won’t be everyone’s cup of tea, but will really push some folks buttons. I can live with that. My own buttons, obviously, very pushed.

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