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“Where other writers spend their whole lives creating fantastic imaginary worlds that have their own languages, calendars and social strata,” says Ryun Patterson of Bookgasm, “McDonald has dived headfirst into a culture that’s every bit as fantastic and also awesomely real.”

Speaking of the Quill-nominated Brasyl, Patterson says that Ian McDonald writes,”as if he were raised on the beaches of Rio. Food, language, attitudes – everything comes off as authentic,” then goes on to proclaim the importance within this lush setting of the story itself. “While science-fiction classics of the past have explored what it means to be alien or what it means to be intelligent, Brasyl is a landmark in that [it] unravels what it means to be quantum, and what might necessarily follow if quantum theory holds true. In addition, there are sweet car chases, acres of suspense, huge tracts of conspiracy, knives that cut through anything, epic battles, fight scenes worthy of Yuen Woo-Ping, and plenty of hot sex. Really, what are you waiting for?”

Good question.

Andrew Leonard has just put forward Ian McDonald’s Brasylin Salon.com’s List of Summer Reading Recommendations. Andrew says, “If you liked River of Gods,which performed a similar mash-up of SF tropes with full cultural immersion in India, you will delight in Brasyl. And if you’re a science fiction fan who has never read any Ian McDonald, well, then, clear your calendar.” He goes on to talk about the way that “an age of globalization” has inspired science fiction writers to investigate new-to-them territories in the here and now, concluding, “A similar wave swept through SF in the 1980s, when Japan’s emergent cultural and economic power suddenly became reflected in scores of science fiction novels. But McDonald has more fun than most of the Japanophiles did. I always wanted to visit the future. But after Brasyl, I want to book a ticket to São Paulo also.”